BNC Research
- Stray, Christopher (2023) ‘Benjamin Farrington: Scholarship, Science and Communism’. Brave New Classics: licensed under a Creative Commons Attribution 4.0 International License.
- Movrin, David, Olechowska, Elżbieta and Stead, Henry eds. (2022) A Proletarian Classics: The Relationship between Ancient Greek and Roman Culture and World Communism from 1917, Clotho. Vol. 4 No. 2.
- Baryshinkov, A. (2022) ‘New Threats, Old Challenges: Understanding Roman Imperialism in Post-Soviet Russia’. Theoretical Roman Archaeology Journal, 5(1): pp. 1–22.
- Stead, Henry & Hall, Edith (2016) ‘Between the Party and the Ivory Tower: Classics and Communism in 1930s Britain’ in Movrin, David & Olechowska, Elżbieta eds. Classics and Class: Greek and Latin Classics and Communism at School (Warsaw/Ljubljana) pp. 3-31.
- Stead, Henry (2019) ‘British Communist Theatre and Aristophanes: the Case of Ewan MacColl and Joan Littlewood’ in Movrin, David & Olechowska, Elżbieta eds. Classics and Communism in Theatre (Warsaw/Ljubljana).
- Stead, Henry & Paulouskaya, Hanna (2020) ‘Classics, Crisis and the Soviet Experiment to 1939’, in Barbara Goff and Michael Simpson eds. Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire. Abingdon: Routledge (pre-print).
- Borowski, Pawel & Stead, Henry (2021), ‘Jacek Kaczmarski’s Metamorphoses: A Historical and Literary Commentary of Starość Owidiusza‘, in Clotho.
- Stead, Henry (2018) ‘The Only Tone For Terror: Tony Harrison and the Gorgon’s Gaze’ in New Light on Tony Harrison, ed. Edith Hall (BritAc) pp.55-78.
- Stead, Henry (2022) ‘Fire, Fennel and the Future of Socialism: Tony Harrison’s Prometheus‘, in . Sandie Byrne ed. Tony Harrison: Classical Presences (Oxford University Press).
- Stead, Henry ‘From Argyll with Love: Naomi Mitchison and the Soviet Union’, in Naomi Mitchison: A Writer in Time (2023, Edinburgh University Press) James Purdon ed.
- Stead, Henry ‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s, in Critical Quarterly Special Issue on Doris Lessing (2021) Matthew Taunton and Nonia Williams eds.
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